Tuesday, January 24, 2012
Shippin Steel
Peter Elliot architecture and urban design continue their work along our roads. "The design challenge was how to make something out of almost nothing, because the road is in a flat landscape." BlueScope Steel's product GALVABOND is strong to withstand wind and dense to absorb sound. I am reminded of Jeffery Smart paintings. It's the light quality and the flatness. It's odd though to see these conduits animated so spectacularly and subtly and think of nose picking crotch grabbing truckers and motorists zooming by without a care for the work. Who is it for? The architect? I am researching steel instead of working.
Images courtesy of http://peterelliott.com.au/projects/view/Deer-Park-By-Pass. Quotation came from BlueScope Steel VividSteelColoursMelbournesNewestBypass1.pdf.
Friday, January 20, 2012
Last swim in WA
Elly's Back!
Italian Pop Lettering
Funky Four Action
Wednesday, January 18, 2012
Shep Messing
Monday, January 16, 2012
Review-shmew
Book Review
Like A Velvet Glove Cast In Iron is about a man named Clay Loudermilk and his attempts to locate his estranged wife, Barbara Allen. (The song "the Ballad of Barbara Allen" forms a commentary on the story with its elements of unrequited love, loss, and death.) For reasons unknown, Clay is in the audience at a porno theatre when he sees a bizarre BDSM feature (also titled Like a Velvet Glove Cast in Iron), the star dominatrix of which is revealed to be his wife. Clay sets out to locate her and becomes embroiled in a series of misadventures involving an incredibly bizarre and varied cast of supporting characters. Clay is victimized by two crazed policemen, meets a religious cult led by a mass-murderer who intend to overthrow the American government, conspiracy theorists who believe that the reins of the world's political power somehow revolve around a series of dime store novelty figures, an inhumanly malformed, potato-like young woman and her nymphomaniacal mother, and various other freaks and weirdos. During one dream sequence, the infamous Foot Foot, from the song by The Shaggs, gnaws on Clay's leg.
The happy-face icon of "Mr. Jones" also appears in various places through the story, tattooed into people, carved on to Clay's foot, as a ghost-like character, in Hitler's birthmark, and on the sign for Value Ape shops. It signifies the way in which logos pervade our societies, and links to the conspiracy elements of the story. The phrase "What's the Frequency, Kenneth?", referencing the bizarre Dan Rather incident (some years before the R.E.M. song did the same thing), is used as part of the "Mr. Jones" conspiracy sub-plot.
Thanks wiki.
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